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In the year - Mia Queen has everything she could have ever wanted - until Laurel and Dinah suddenly show up in her life again and things take a shocking turn; Laurel and Dinah track a kidnapping victim who has direct ties to Mia.

S8, Ep The final events in the story of the Green Arrow. See also TV Schedule. Getting Started Contributor Zone ». Top Gap. See more gaps ». Add episode. New on Netflix India This October. Create a list ». Watchlist:TV Shows.

See all related lists ». Share this page:. William and Oliver clash over their future. Oliver steps in as Emiko searches for her mother's killer. Decades in the future, William and Mia take their perilous quest to the Glades, where they make some disturbing -- and dangerous -- discoveries. With her criminal history now out in the open, Laurel joins forces with an old acquaintance. Meanwhile, Dinah and Felicity do battle. After Archer falls into the hands of the Ninth Circle, Diggle calls in some big guns for help -- and must face his family's conflicted past.

Trying to unravel a mystery, the SCPD interrogates Team Arrow after their off-the-books mission to thwart a bio-terrorism attack turns deadly. While Team Arrow races to rescue him from the rubble of a collapsed building, Oliver faces a moment of truth.

Emiko has another surprise in store. Team Arrow races to thwart Emiko's bioterror attack while Oliver tries to liberate her from their family's cycle of violence. Oliver's debt comes due. Past and future collide in the final season as Oliver aims to save the multiverse, armed with unsettling knowledge about the sacrifice he must make. The Dark Archer casts a shadow over a bittersweet family reunion in a parallel universe as Oliver desperately tries to track the dwarf star particles.

With an altered Earth-2 in his rearview and the fate of the multiverse at stake, Oliver gets a new task and reunites with a kick-ass old comrade. It seems like old times, but much has changed: Thea bonds with Oliver, while John and Lyla team up. Back in the future, Mia takes the lead -- at a cost. It's not the family reunion that a proud papa would ask for, but Oliver tries to get up to speed. Can he build trust to replace the rage and pain?

Oliver takes his training to the next level and journeys with Mia and Will to a challenging place from his past. Laurel discovers an unexpected ally. It feels like a rerun -- or an insidious time loop -- when Oliver wakes to find Quentin alive. Now he must find a way to halt the hellish reboot. After revisiting his epic clashes, Oliver joins the fight to save everyone. The Paragons must travel to the dawn of time and face the Anti-Monitor.

When a socialite goes missing, Laurel and Dinah must convince a reluctant Mia to take up her father's mantle to keep chaos from engulfing Star City. In the aftermath of the Crisis, in an altered world, the survivors regroup, remember and look to the future. But is the mission ever really over? Call Netflix Netflix. Based on DC Comics' Green Arrow, an affluent playboy becomes a vengeful superhero, saving the city from villains armed with just a bow and arrows.

Watch all you want. The fall season debut of "Arrow" brought the highest ratings its network had seen in three years.

Episodes Arrow. Release year: Pilot 42m. Honor Thy Father 42m. Lone Gunmen 42m. An Innocent Man 42m. Damaged 41m. Legacies 41m. Muse of Fire 39m. Vendetta 41m. Year's End 41m. Burned 41m. Trust but Verify 41m. Vertigo 42m. Betrayal 41m. The Odyssey 41m. Dodger 41m. Dead to Rights 40m.

The Huntress Returns 41m. Salvation 41m. Unfinished Business 41m. Home Invasion 41m. The Undertaking 41m. Darkness on the Edge of Town 41m. Sacrifice 42m.

City of Heroes 41m. Identity 41m. Broken Dolls 40m. Crucible 41m. League of Assassins 41m. Keep Your Enemies Closer 41m. State v. Queen 41m. The Scientist 41m. Three Ghosts 41m. Blast Radius 41m. Blind Spot 41m. Tremors 40m. Heir to the Demon 41m.

Time of Death 41m. The Promise 41m. Suicide Squad 41m. Birds of Prey 41m. Deathstroke 41m. The Man Under the Hood 41m. Seeing Red 42m.

City of Blood 41m. Streets of Fire 42m. Unthinkable 41m. The Calm 42m. Sara 41m. Corto Maltese 41m. The Magician 41m. The Secret Origin of Felicity Smoak 42m. Guilty 41m. Draw Back Your Bow 41m. The Brave and the Bold 41m. The Climb 42m. Left Behind 42m. Midnight City 41m. Uprising 41m.

Canaries 42m. The Return 42m. Nanda Parbat 42m. The Offer 41m. Suicidal Tendencies 42m. Public Enemy 42m. Broken Arrow 42m. The Fallen 42m. Al Sah-him 41m. This Is Your Sword 42m. My Name is Oliver Queen 43m. Green Arrow 41m. The Candidate 41m. Restoration 41m. Beyond Redemption 41m. Haunted 42m. Lost Souls 42m. Brotherhood 42m. Legends of Yesterday 44m. Dark Waters 41m. Blood Debts 41m. Unchained 42m. Sins of the Father 42m. Code of Silence 42m. Taken 42m. Broken Hearts 42m. Beacon of Hope 42m.

Eleven-Fifty-Nine 42m. Canary Cry 41m. Genesis 41m. Monument Point 41m. Lost in the Flood 41m. Schism 41m.

Legacy 42m. Recruits 42m. A Matter of Trust 42m. Penance 42m. Human Target 42m. So It Begins 41m. Vigilante 42m. Invasion 42m. What We Leave Behind 42m. Who Are You? Second Chances 42m. Bratva 42m. Unconscious in the wake of his villainous half-sister Emiko dropping a building on him, Oliver imagines an entire conversation with his conscience, which takes the form of Tommy and urges him to break the Queen cycle of violence by not murdering Emiko.

In some ways, you can interpret Tommy's argument as a critique of comic books' over-reliance of parental deaths and drama to motivate its heroes.

Remember when Arrow was allowed to use the Suicide Squad? Forcing the show's moral center a. Diggle to contend with Waller Cynthia Addai Robinson and her band of evil villains was like Christmas came early.

His complicated struggles to accept this team as well as having to buddy up with an actual terrorist was so fun to watch. They were still attempting to do something new with the well-worn concept. And yeah, that Harley Quinn nod was dope. Felicity's debut in the flashforwards was exciting, sure, but the real whammy of this hour comes from Rene when he reveals the plans for the opposite of The Undertaking.

What a cool callback to season 1. Remember when Felicity diverted a nuclear bomb to kill tens of thousands of people? Fun times! The side plot of Felicity being jealous of Sara felt incredibly real and earned.

But it's the whopper of the ending when Oliver comes home to find Slade Wilson in his house with his mother that packs the real punch in this hour. This setup leads to one of the show's best moments: a fight sequence told entirely from Felicity's perspective. The poignant monologue, as performed by Rickards and written by Speed Weed and Spiro Skentzos, powerfully captures the years of history between Oliver and Felicity. Oliver revealing his identity to get through to a Mirakuru-enraged Roy is such a beautiful scene that really comes out of nowhere in the best way.

Usually the big identity reveal can be spotted from a mile away but this one was a true surprise. Diggle's lack of faith in Oliver finally comes a boil in "Brothers in Arms," which sees the two men exchange physical and emotional blows in a blistering confrontation.

Sure, it would've been nice if the episodes preceding this one had done a slightly better job of setting up this conflict, but man Amell and Ramsey truly sell it with their excellent performance that, again, carry the weight of six seasons worth of history. With several weeks of distance, it has become apparent that Arrow 's installment of the "Crisis on Infinite Earths" works better in theory than in execution.

Having Oliver revisit key moments when he developed the strong bonds with the Arrowverse's other heroes made sense since the final season did something similar with him and Arrow 's characters; however, the hour rushes through the past scenes, and the Speed Force setup isn't super convincing. That being said, the climactic fight between the Anti-Monitor and the Paragons and Spectre is exciting and one of the show's most ambitious sequences.

Plus, Oliver's death here lands in a way it didn't quite in the Supergirl episode. What happens when the main character of your comic book show reveals his identity and goes to prison for it? Arrow gets creative with its storytelling in season 7 to figure that exact problem out. It starts with an incredible montage of what Oliver's life in prison is like with some amazing callbacks to the first season. While it may have gotten a little tedious in later episodes, this season premiere proves that Arrow can still take risks, and pull them off.

And I can't not point out how the fights get even more brutal this season, because damn. The stunt team really brings it in that shower fight scene.

Freshly released from prison, Oliver readjusts to life back in Star City, which means figuring out Green Arrow's place in the new city order and processing how much Felicity changed while he was on the inside, both strong story points.

In this duo, Oliver crosses paths with the vengeful Helena Bertinelli Jessica De Gouw , he helps her channel her rage into becoming the crossbow-wielding vigilante Huntress. Nevertheless, the fact that Arrow introduced another costumed vigilante so early in its run was astounding, and this is the moment I truly fell for the show.

Oliver gets shot by his own mother and that's shockingly not the headline of this episode. Felicity joins Team Arrow and although it may be rocky at the start, it's the beginning of a beautiful era.

The hour also foreshadows season 2's Deathstroke arc that promises incredible comic book goodness to come. After stalking around the periphery of the action for a few weeks, Prometheus finally made his move against Oliver, targeting people from season 1's list.

Of course, this forces Oliver to finally come clean to the new recruits about his murderous beginnings, and the episodes strikes the perfect balance between holding him accountable the team is horrified when they realize he was the Hood, even though that should've been obvious and using this as an opportunity to remind us how much he had evolved.

Meanwhile in the flashbacks, Dolph Lundgren is immediately memorable and intimidating in his debut as Konstantin Kovar. You know how hilarious it is when someone plays the random "Bees? Well, this Ben Sokolowski and Brian Ford Sullivan-penned hour captures that very specific and delightful feeling. Not only is it a blast to watch and one of the few times Arrow allows itself to just be fun see: the bees, of course, but also a sneezy and delirious Curtis accidentally discovering the bunker , but it's also one of the best examples of the show using the growing weirdness of its shared universe to its advantage.

Honestly, it should bee higher on the list. We were all so concerned with Oliver and Roy's futures being cleared of suspicion that we never saw the real blow coming until it was too late. Focusing the entire episode on Roy taking the blame for being the Arrow, Oliver having to accept it, and setting up Roy's fake death to have him leave to begin a new life all felt like the end of an important chapter in Arrow 's history.

But the final moment in which Ra's al Ghul attacks and stabs Thea gave us the shock we needed to remember just who Team Arrow is dealing with, and put everyone on an entirely new path as a result. Nothing will ever feel as good as the moment in which Oliver reveals his identity to Thea. Her glowing and loving reaction full of gratitude is downright cathartic, not only for Oliver but for us as well. It also finally starts to open Thea's eyes to who Malcolm really is and what he's put her through, which was a long time coming.

The emotional payoff in this hour cannot be understated. Plus, Oliver's return to the team after his "death" shows just how far the team has come in his absence. He's no longer their leader; they truly are a democratic team. It's always nice to see Oliver's ego get knocked down a few pegs. Human Target! We knew Arrow would never actually kill off Oliver well, until the final season but this fake out was so incredibly well done. And the growing Prometheus threat just continues to ratchet up the tension — if Church is that terrified of this guy, then Oliver truly has no idea what's coming.

However this episode is also the start of one of my most hated Arrow arcs ever: Susan Williams' Carly Pope relationship with Oliver while secretly working to bring him down with her work as a journalist. This is not what a journalist does! TV shows love painting journalists in a bad light with no ethics, but that goes against everything we're taught. The hour was visually distinctive from the mothership not a single dark, gritty warehouse and introduced several very compelling mysteries that demand answers How did Dinah wind up here?

Who kidnapped William? Who restored J. Hopefully, the spin-off gets greenlit. Tommy's clear disapproval of Oliver's actions pushing him to reconcile with Malcolm is as heartbreaking as much as it feels right for the character, especially when Oliver tells Tommy that he was never going to reveal the truth about his vigilante alter ego to him.

That small moment in an hour full of crazy action speaks volumes about how much Oliver has closed himself off to his old life. If Tommy has survived past the first season, I doubt he and Oliver would have ever been as close as they were before the Queen's Gambit went down. Watching the members of Team Arrow come into their own and gain agency was one of the best things about season 3.

A lot of that work was accomplished in this Dark Knight Rises -esque trio of episodes , which follows Felicity, Diggle, Roy, and Laurel as they tried to protect the city in Oliver's absence. The scripts strike the right balance between showing why they need Oliver and reminding us they're capable in their own right.

Furthermore, the show kept Oliver off the board just long enough to make his return in "Uprising" feel particularly triumphant. Yes, this is the episode where Damien Darhk murdered our beloved Laurel Lance, a. But "Eleven-Fifty-Nine" also featured some great action sequences, like Thea's brutal fight with her snake of a father Malcolm.

Man, I miss Susanna Thompson. She really was Arrow 's secret weapon, constantly slaying the most complicated, emotional scenes, like when she confronts Malcolm about Walter's kidnapping while Oliver listens in without her knowledge. You just can't help but love her even when you're supposed to be hating her.

Plus the non-island flashbacks are a banger, revealing why Malcolm is the reason why the Queen's Gambit went down. Oliver's return to Nanda Parbat to reunite with Thea and Diggle and Lyla meeting their adopted son Connor for the first time would have already made for an incredible episode on their own. But then Arrow had to go and deliver the best mic drop of all time with: "Dad? Was this a satisfying conclusion to season 7's story?

Not entirely. It felt as though the show wrapped up the Ninth Circle and Emiko storyline way too quickly. That's of course partially due to it being Emily Bett Rickards' final episode as a series regular, but the episode also achieved that by spotlighting teamwork and what Oliver and company have built. Look at how director James Bamford poignantly tries to fit as many members of Team Arrow into each shot; the touching culmination of Earth-2 Laurel and Bronze Tiger's redemption arcs; the thrill of seeing Mia embrace her inner Green Arrow while working with Team Arrow 2.

Emotionally, the season 7 finale struck all of the right notes — and then gave us one hell of a tease for "Crisis on Infinite Earths. Barry f—ing Allen is here, y'all! His introduction on Arrow, leading to his own series, is perfect in every way. Gustin makes for the most charming pre-speedster and his chemistry with all the characters on Arrow just worked. If he wasn't already getting his own show, I'd petition for him to join Arrow full-time.

I'm one of the few people who cheers anytime The Flash uses time travel, so having those long-reaching effects finally rock the other Arrowverse shows in major ways was incredibly well-earned payoff. Of course, on the flip side, anytime Oliver lies to Felicity to "protect" her grinds my gears, but I can ignore that frustrating plot line in favor of all the comic book goodness this crossover hour has to offer.

Laurel has come so far in season 2 alone, and her actions in "Streets of Fire" prove it.



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